唐晓玲在“苏州女子”三部曲中成功进行了“苏州”意象的地域书写。其书写特点主要有三个方面,一是把苏州的自然美当做一个衬底,不去着意细描;二是浓郁的人文叙事;三是时代叙事。通过书写,我们感受到了一个崭新的世界,一个既不同于传统,又不同于别处,似乎也不是现实的苏州的只属于唐晓玲的一个艺术的“苏州”意象。 Tang Xiaoling successfully carried out the geographical writing of “Suzhou” image in the “Suzhou Woman” trilogy. Its writing features mainly in three aspects, one is to use the natural beauty of Suzhou as a substrate, not to deliberately fine; second is rich in human narrative; third is the narrative of the times. Through writing, we felt a brand new world, an artistic “Suzhou” image belonging to Tang Xiaoling only in Suzhou, which is different from tradition but also from elsewhere and seems not realistic.