爱德华·巴罗的“心理距离说”在现代美学和文艺学中有着重要的影响。它涵义丰富,同时包含了相区别又相联系的“经验距离”和“审美心理距离”。由于巴罗在阐述“心理距离”时将两者相混淆,也就为后人的误解、误用埋下了根源。本文试图对巴罗“心理距离说”的涵义做出梳理和辨析。 Edward Barrow’s “Psychological Distance Theory” has an important influence on modern aesthetics and literary studies. It is rich in meaning, at the same time contains a distinction between the “distance of experience” and “aesthetic psychology distance ”. Because Barro confused the two when he elaborated “Psychological Distance ”, he buried the root causes for his later misunderstanding and misuse. This article attempts to sort out Barro and the meaning of “psychological distance” to sort out and differentiate.