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在泛文学领域,常有仇视隐性主旨的声音:文章都让很多人看不懂了,还是好文章吗?秉持此观点的读者,还会举出一个著名故事来做论据:人家白居易每次做完诗后,还要读给目不识丁的老太太听呢。这种观点肯定是有偏颇的,通俗易懂固然是一种好风格,但高深曲折不也是一种好方式?白居易的论据并不能站住脚跟,且不说故事的可靠程度值得推敲(一些书籍使用这个故事时,都会在前面加上“相传”二字),单举白居易一个人的例子
In the field of pan-literature, there are often voices that hate the obscure subject: the articles make many people can not understand or are good articles? The reader who upholds this view will also give a famous story to make an argument: People Bai Juyi each time After finishing the poem, but also read to the illiterate old lady to listen to it. This point of view is certainly biased, easy to understand is a good style, but profound twists and turns is not a good way? Bai’s arguments can not stand on his heels, not to mention the reliability of the story worth considering (some books use This story, will be preceded by “Legend ” word), single example of Bai Juyi alone