论文部分内容阅读
室内空间节奏感的简繁关系,历来是设计师的一个重要命题。简与繁,究其实质全在于取舍,做加法则繁冗,反之则简洁,平淡素静之美与华丽繁缛之美,各有其审美价值和客观需求。 有趣的是,观照中外古今建筑室内,通常表现为古代(传统)繁冗、讲求装饰。西方在十七世纪暨法国路易十五时期的洛可可样式和中国清朝的乾隆时期同时达到旷世的装饰高潮(如图1,路易十五的客厅,不露柱子的墙,以淡青、白色为主的装饰镜面板包镶,以及统一的曲线型。图2为故宫长青宫妃嫔卧室)。而现代则多表现在以少胜
Rhythm and complexity of the relationship between the interior space has always been an important proposition of the designer. Jane and Fan, the essence of the whole study is to choose, so add the law is cumbersome, otherwise the concise, plain and quiet beauty and gorgeous traditional beauty, each with its aesthetic value and objective needs. What is interesting is that the interior and exterior of ancient and modern architecture in China and abroad are often viewed as ancient (traditional) and cumbersome. In the seventeenth century, the Rococo style of the Louis XV in France and the Qianlong period of the Qing Dynasty in China simultaneously reached the climax of the unrestrained life (as shown in Figure 1, Louis XV’s living room, The decorative mirror plate package inlaid, as well as a unified curve type Figure 2 for the Forbidden City Princess Palace bedroom). In the modern times, however, the performance is much less