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法国著名女作家玛格丽特?杜拉斯的经典之作《情人》一直以其高超的叙事技巧以及鲜明的传记性色彩被视为作者过去生活的真实写照,可以说是一部西方现代自传体小说。这部作品从对作者的创作解放——真实与虚构的跨越,对人物形象的解放——已知与未知的并存,以及对接受者的解放——“空白化”三个层面传达出西方现代自传体小说对“文学自由”精神的追求。文章以《情人》为基点,并结合西方现代自传体小说的叙事特征,探讨自传体小说的自由性和开放性,进一步深入理解《情人》背后的真正主题——写作。
The classic “Lover” by the famous French writer Margaret Duras has always been regarded as a true portrayal of the author’s past life with his superb narrative skills and vivid biographical color. It can be said to be a modern Western autobiography Body novels. This work is based on three aspects: the emancipation of the author’s creation - the crossing of the real and the fictional, the liberation of the persona image - the coexistence of the known and the unknown, and the liberation of the recipient - “blank” The Pursuit of the Western Modern Autobiographical Novels about the Spirit of “Literary Freedom”. Based on the “lover” as the starting point, this essay explores the freedom and openness of autobiographical novels in light of the narrative features of modern Western autobiographical novels to further understand the true theme behind “lover” - writing.