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魏晋南北朝时期的绘画创作,多以人物为题材,然而山水画与山水画论的产生也在这个时期,此时期的山水画虽然没有人物画发达,但是对山水画的整个发展历程来说,却是一个奠定理论基础的年代,更是一个创建风格样式的年代,对后世绘画艺术产生了积极而深远的影响。客观认识这一段时期的山水画创作及其理论的历史地位和作用,对于我们全面理解魏晋六朝的绘画创作以及对深入研究中国画的理论都是有益的。
In the period of Wei, Jin, Southern and Northern Dynasties, most of the paintings were portrayed as characters, however, the landscape paintings and the landscape paintings also came into being during this period. Although no landscape paintings were developed during this period, the entire history of landscape painting was laid The era of theoretical foundation is even more of an era of style creation, which has had a positive and far-reaching impact on the art of later generations of painting. An objective understanding of the historical position and function of landscape painting and its theory during this period is of great benefit to us in comprehensively understanding the painting in the Wei and Jin Dynasties and the Six Dynasties and for studying the theory of Chinese painting in depth.