每次,大难不死后,燕娅娅总是立誓再也不去帕米尔高原了。但是,誓言敌不过帕米尔高原上塔吉克族孩子的魅力,更敌不过她要在中国美术馆办个展的决心。 2003年12月11日,中国美术馆西南厅,主题为《阳光天使》,为期一个星期的燕娅娅个人油画展如期举行。自中国美术馆成立以来,惟有两位女性获得了在此举办个展的荣誉,燕娅娅是其中年轻的一个。之前,燕娅娅的油画和扎染作品多次获得国内国际大奖,但那些都比不上这次在中国美术馆的个展对她更重要。墙壁上,45幅大小不一的油画光彩鲜亮地微笑着,参观者流连驻足,目光 Each time, after a hard time, Yan Ya always vowed never to Pamir Plateau. However, vowing to oppose the charm of Tajik children in the Pamirs is more than her determination to hold a solo exhibition at the China Art Museum. December 11, 2003, China Art Museum Southwest Hall, the theme of “Sunshine Angel”, a week-long Yan Ya personal oil painting exhibition held as scheduled. Since the founding of the National Art Museum of China, only two women have won the honor of holding a solo exhibition here, and Yanya is one of the young. Previously, Yan Ya’s oil paintings and tie-dye works won many domestic and international awards, but those are not as good as this solo exhibition at the China Art Museum. On the walls, 45 bright and colorful paintings of different sizes were smirked, with visitors lingering and looking