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书法,是中华文化精神的重要体现,是最具有中华民族特色的文化艺术,但当前的书法教学并未真正找到传承的契合点,仍有一些值得改进的地方,比如,由于过于追求成绩,教学方式有时显得不够多元;由于受到传统的影响,教学内容不够新颖;由于书法本身的特殊性,教学过程显得有些枯燥。所以,要真正弘扬中国书法,当前的书法教学亟需改革创新。笔者在梳理传统书法教学结构和模式的基础上,探索将绘画
Calligraphy is an important manifestation of the Chinese cultural spirit and the most unique cultural art of the Chinese nation. However, the current calligraphy teaching has not really found a meeting point for inheritance. There are still some areas worthy of improvement. For example, because of excessive pursuit of performance, teaching Sometimes the way is not enough pluralism; due to the traditional influence, teaching content is not novel enough; because of the particularity of calligraphy itself, the teaching process seems a bit boring. Therefore, in order to truly promote Chinese calligraphy, the current calligraphy teaching urgently needs reform and innovation. On the basis of combing the traditional teaching structure and pattern of calligraphy, I explore painting