李泽厚在评价《春江花月夜》时说:“永恒的江山,无限的风月给这些诗人们的,是一种少年式的人生哲理和夹着悲伤、怅惘的激励和欢愉。”李先生认为,诗歌随着时代的变迁,由宫廷走向生活,六朝宫女的靡靡之音变为青春少年的清新歌唱。《春江花月夜》便是一个典型。其实,早在隋朝时,隋炀帝杨广已经创作出了《春江花月夜》(其一):暮江平不动,春花满正开。流波将月去,潮水带星来。宁静浩荡的长江,开得正艳的满岸春花,随波而去的月光,顺潮而来的星辉,共同组成一幅 Li Zehou, in his evaluation of the “Spring River Flower and Moonlight Night,” said: “The everlasting rivers and mountains and the infinite feng shui to these poets are a juvenile philosophy of life and encouragement and happiness with sadness and regret.” Mr. Li That the poetry with the changes of the times, from the court to life, the dynasty palace ladies swept the voice into a youthful youth singing. “Spring River Moonlit Night” is a classic. In fact, as early as the Sui Dynasty, Yang Guang Yang Guang Emperor has created a “Spring Jiang Hua Yue Ye” (one): Twilight peace, Chunhua full open. Flowing wave will go to the tide with the star. Quiet and mighty Yangtze River, was full of Yan Chunyan shore, go with the moonlight, along with the twinkling Star, together to form a