当下中国水墨画呈现多元状态,围绕中国画的发展方向和创新变革,邢庆仁虽处于偏安一隅的西北地区,在艺术创作中也进行了积极的思考与探索。本文致力于将邢庆仁的艺术创作还原于他所经历的时代背景,地理环境,文化思潮,美学思想的背景中,对其作品中所体现的美学观念,人文关怀等进行分析,研究和思考,从而反映以邢庆仁为代表的西北地区,虽远离中央文化,但其艺术创作具有地域性和进步性。 At present, Chinese ink painting presents a pluralistic state. Around the development direction and innovation revolution of Chinese painting, although Xing Qingren is in the northwestern part of Xianan Corner, he has also made active thinking and exploration in his artistic creation. This article is devoted to analyzing, researching and thinking Xing Qingren’s artistic creation in the context of his background, geographical environment, cultural thoughts and aesthetics thought, analyzing, researching and thinking on the aesthetic concepts and humane care embodied in his works, thus reflecting Although the northwest region, represented by Xing Qingren, is far from the central culture, its artistic creation is regional and progressive.