高尔基说:情节是“某种性格、典型的成长和构成的历史”。认清这一点,对于以故事情节的展开来塑造人物性格的故事片创作来说,显得特别重要。但是我们的某些电影创作人员对于这一著名论断却还缺乏认识和理解,更缺乏在故事片的创作实践中去正确地加以体现,因而总是在不同程度上表现出乐于编造故事而不注重人物塑造的倾向。在我们看到的影片中,有一些虽然也注意到了描写人物,但却使人感到不真实、不可信。象《刀光虎影》、《幽谷恋歌》、《黄英姑》、《白莲花》、《神秘的大佛》等影片,岂止是注意了描写人物,简直是在拚命地表现人物,大倾其热情地在歌颂影片中的英 Gorky said: The plot is “a character, a typical history of growth and composition.” To recognize this point is particularly important for the creation of feature films that characterize the character through the expansion of the storyline. However, some of our movie writers lack of understanding and understanding of this famous thesis, and lack of correct representation in the practice of feature films. Therefore, they always show their happiness in creating stories without focusing on people Shaping the tendency. Some of the films we have seen, although they also note the portrayal of characters, make people feel untrue and untrustworthy. Videos such as Dao Guang Hu Ge, The Love Story of the Valley, Huang Ying Gu, White Lotus, Mystical Big Buddha are all about descriptive characters, In the praise of the film in English