在我国抗日战争史上,木刻版画艺术的活动与创作遍布所有重要的解放区,如延安、晋冀鲁豫、晋绥、新四军抗敌革命根据地等。作为一种简易而有力的文化宣传工具,木刻版画在各抗日根据地起到了发动群众、团结群众、打击敌人、瓦解敌人的积极作用,为抗日战争的胜利做出了不可磨灭的贡献,在我国现代美术史和版画史上占据着重要的地位。抗日根据地的木刻艺术以延安木刻最为典型,而远离延安、地处苏北的江苏盐城是新四军重 In the history of the War of Resistance Against Japan in China, the activities and creations of woodblock print art spread all over important liberated areas such as Yan’an, Shanxi-Hebei-Shandong-Henan, Shanxi-Suiyuan and the New Fourth Army against revolutionary base areas. As a simple and effective cultural propaganda tool, woodblock prints played an active role in mobilizing the masses, uniting the masses, cracking down on the enemy and disintegrating the enemy in various anti-Japanese bases, making an indelible contribution to the victory of the Anti-Japanese War. In modern China, History of art and print occupy an important position in history. Anti-Japanese base woodcut art to Yan’an woodcut most typical, and away from Yan’an, Jiangsu Province, located in northern Jiangsu Yancheng is the weight of the New Fourth Army