韦尔登·基斯的诗歌带有浓郁的自传性色彩,糅合了一种独特的末世情结和幻灭心理。他采用镜头式的语言,深刻的反讽方式,以及现实与梦魇相结合的手法,将美国后现代社会中纷繁复杂的人物与事件粘合为一个有机整体,在整体的背后呈现出一个充满破坏性、摧毁性暴力的末日世界。基斯拒绝接受基督教的救赎观念,断言从末世到救赎的生命轮回的不可能性以及人无可逃遁的死亡结局。最终,末世阴霾下的诗人放弃了文化主体的自我救赎和更高意义上的社会救赎,陷入虚无主义的泥淖中自杀身亡。 Weldon Keith’s poetry with rich autobiographical color, combines a unique end of the world complex and disillusionment. He uses lens language, profound irony and a combination of reality and nightmare to combine the complicated characters and events in the postmodern society in the United States into an organic whole, presenting a destructive whole behind , Destroying the doomsday world of sexual violence. Keith refuses to accept the notion of Christian redemption, asserting the impossibility of the reincarnation of life from the last days to redemption, and the unforgivable end of death. Eventually, poets under the haze of the last days gave up the self-salvation of the cultural subject and social salvation in a higher sense and plunged themselves into the suicide of nihilism.