《大鱼海棠》的灵感来源于庄子的《逍遥游》,在内容的呈现上,传统的古建筑、服装道具等大量中国元素的融入,可以说是中国文化的一次视觉盛宴。但是,在故事情节以及人物角色的设定上,却是过于简单化,矛盾冲突缺少设计、显得单一。针对这一现象,本文将《大鱼海棠》放在现代社会发展的角度上,试从奇观电影和现代怀旧的角度解析这一现象。 “Big fish Begonia” is inspired by Zhuangzi’s “Getaway”. In content presentation, the integration of a large number of Chinese elements such as traditional ancient buildings and costume props can be regarded as a visual feast of Chinese culture. However, it is too simplistic in the setting of the storyline and the role of the characters, and the contradiction and conflict are lack of design and seem to be single. In response to this phenomenon, this article will “big fish Begonia” on the perspective of the development of modern society, try to analyze this phenomenon from the perspective of spectacle movies and modern nostalgia.