王少舫在黄梅戏艺术事业上的成功,在戏曲界应当算是一个特例。其特有二:地方性乃各剧种的生命之源。毫无疑问,对于地方性的把握,总是以土生土长的当地演员最为地道。而王少舫原是一位远离黄梅戏土壤(这里指的是语言、音乐以及风土人情、传统习俗等)的外地人。那么多土生土长的黄梅戏从业人员,竟都心悦诚服地将他奉为黄梅戏的代表 Wang Shaofang's success in the art career of Huangmei opera should be regarded as a special case in the field of opera. Its unique two: local nature is the source of the life of all the operas. There is no doubt that for the local grasp, always native to local actors most authentic. Wang Shaofang was originally a foreigner far removed from the soil of Huangmei (in this case, language, music, customs, customs, etc.). So many native Huangmei practitioners, actually have sincerely regarded him as a representative of the Huangmei opera