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毫无疑问,弗(艹耒)德里克·安塔尔是研究富斯利作品最有权威的学者之一。如所周知,他曾称这位定居英国的瑞士画家的艺术为“悲剧性的,严峻的古典主义”。为了弄清其严峻性和悲剧性的根源,以及画家在意大利和罗马的经历对这一特点的影响(安塔尔指出,富斯利对米开朗琪罗和样式主义者的艺术的接触具有重要意义),不妨回顾一下约翰·海团里赫·富斯利(后采用英国式名字亨利·富塞利)青年时期从其父约翰·卡斯帕尔·富斯利(或称富斯林,因为十八世纪日尔曼人姓氏的书写很不固定)那里初步获得的文化教养和美学教育。
Undoubtedly, Derrick Antares is one of the most authoritative scholars in the study of Frisley’s work. As we all know, he once described the art of the Swiss painter who settled in England as “tragic and grim classicism.” In order to understand the root causes of its severity and tragedy, as well as the artist’s influence on Italy and Rome (Antar noted Fusley’s involvement with Michelangelo and the stylist’s art) ), It is worth recalling the reunification of John Hayes Frisley (later with the English name Henri Fuselli) in his youth from his father, John Kaspar Fusley (or Fisin, because The eighteenth-century Germain surname is not well-written, with initial cultural and aesthetic education there.