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除去诗剧的同名主人公浮士德,另外一个也贯穿全篇影响全局的重要人物就是魔鬼靡非斯托。在歌德笔下,他的形象异常地鲜明生动,而且同样闪射着深刻而丰富的精神光彩,是诗剧《浮士德》获得巨大成功,在同一题材的众多作品中独领风骚的一个重要原因。我认为,靡非斯托堪称天下第一魔;在世界文学宝库中,没有另外哪个魔鬼的形象能和他媲“美”。没有靡非斯托的绝妙表演,诗剧《浮士德》便成不了出类拔萃的世界名著和杰作。在施皮斯1587年出版的民间故事书里,已经存在一个魔鬼,而且名字也叫做靡非斯托非勒斯。不过,他出现时的形象还是一个修士,行事也缺少积极主动性,浮士德一再招他来,提出要与他签约,他都先去请示了鬼王卢卡齐弗才敢同意。总之,从表到里,民间故事书中的靡非托斯非勒斯比起歌德诗剧中他那位同名兄弟来,实在差劲儿得
Remove the poetic drama of the same name Faust, the other one also runs through the whole impact of the overall situation of the important figure is the devil extravagant Festo. In Goethe’s writings, his image is vividly vivid and vivid. It also shines with profound and rich spiritual splendor. It is an important reason why Faust, the great success of the poetic drama, has played a leading role in many works of the same subject. In my opinion, Madoff is the best in the world; no other devil image in the world of literature can match him. There is no exquisite performance of Festo, the drama “Faust” can not become outstanding world masterpieces and masterpieces. There is already a devil in the book of folktales published by Spies in 1587, and his name is also called Prometheus. However, when he appeared, his image was still a monk, and his actions lacked initiative. Faust repeatedly recruited him and proposed to sign him. He first went to consult Lukasifor, the ghost king, to dare to agree. In short, from the table to the inside, non-tostiles in folk tales are really worse than his brother with the same name in Goethe’s play