（一）在艺术审美中常常有这样的事出现：有人能感受到张贤亮小说的悲剧意识、高晓声小说的惆怅情调以及余华的杀人题材小说的凄凉风格。但有的人却大相径庭，与此持不同甚至对立的见解。这不足为奇，正如大家熟知的鲁迅所说的例证，同一部《红楼梦》，“经学家看见《易》、道 (I) There often appears something in aesthetic appreciation: one can feel the tragic consciousness of Zhang Xianliang’s novels, the melancholy tone of Gao Xiaosheng’s novels, and the desolate style of Yu Hua’s murderous theme novels. But some people are very different, with different or even opposed to this view. This is not surprising. As we all know, Lu Xun’s example is that the same “Dream of the Red Chamber”