如今,“跨学科”一词频繁出现在各种艺术研讨会和新媒体艺术创作者口中,当下大批活跃的艺术家也越发难以被界定为某种风格。不论从文化态度或是策略上,跨学科方法在中国艺术界都已然确立了一定地位,这一进行时态的事物,自然不可避免地产生问题。学科经验的简单嫁接是问题之一。经验从一个领域向另一领域的简单复制,往往导致两个对立的学科本身 Nowadays, the word “interdisciplinarity” appears frequently in the mouths of various art seminars and new media art creators. It is even more difficult for the large number of current active artists to be defined as some style. Whether from the cultural point of view or tactics, the interdisciplinary approach has already established a certain status in the Chinese art world. This tense thing inevitably creates problems. The simple grafting of subject experience is one of the problems. The simple copying of experience from one field to another often leads to two opposing disciplines themselves