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传统戏曲因“现代性”不足在中国现代文学史中一直不受重视,中国当代文学史也曾受到影响。但是一些中国当代文学史对其仍有不间断的书写,大致经历了几个阶段:1960年代对其书写代表着开国气象的文化自信;1980年代-1990年代初在政治性和文学性中摇摆,1990年代末逐渐重视当代戏曲的历史规律;新世纪之后开始注重传统戏曲的表演性。未来的文学史书写传统戏曲必须有待中国当代文学史教学与传统戏曲互动结合,方能再现民族艺术的辉煌。
The traditional operas have been neglected in the history of modern Chinese literature because of the “modernity”, and the history of Chinese contemporary literature has also been affected. However, there are still some uninterrupted writing in the history of contemporary Chinese literature, which have generally gone through several stages: the writing of the 1960s represented the cultural confidence of the founding meteorology; the political and literary swing of the 1980s-early 1990s, At the end of the 1990s, he gradually attached importance to the historical rules of contemporary Chinese opera. After the new century, he began to pay attention to the performance of traditional Chinese operas. Future literary history writing Traditional Chinese opera must wait for the interaction between the teaching of Chinese contemporary literature history and the traditional opera to reproduce the brilliant national art.