有人说,“《野草》是《鲁迅全集》中比较难懂的作品”。我是深有同感的。在《野草》各篇中,《雪》要算是较为明朗的了,但各家理解仍然有所不同。如何进行教学,分歧在所难免。这里试谈一点个人的肤浅认识。《雪》到底有没有象征或寄托呢?鲁迅告诉我们,他“有了感触,就写些短文,夸大点说,就是散文诗,以后印成一本,谓之《野草》”;又“因为那时难于直说,所以有时措词就很含胡了”。可见用不分行不押韵的散文形式来表现诗的内涵,即通过诗的形象、诗的意境以表达“难于直说”的思想感情,应该就是《野草》总的写作特点。《雪》是写景物的,是借景抒情、托物言志的作品,应该是有象征或寄托的。 Some people say that “The Weeds” is a more difficult work to understand in the Complete Works of Lu Xun.“ I feel very much in agreement. In the ”Wild Grass“ chapter, ”Snow“ should be regarded as more clear, but the understanding is still different. How to teach, differences are inevitable. Let’s talk about a little personal understanding here. Is there any symbol or sustenance of “Snow”? Lu Xun told us that “with feelings, he writes some short essays, exaggerating them, saying that they are prose poems and will be later printed into a book called “Wild Grass””; It’s difficult to speak straight, so sometimes the wording is very humorous.” It can be seen that the connotation of poetry is expressed in the form of prose without lines or rhymes. That is to say, through the image of poetry and the mood of poetry, the ideological feelings of “difficult to speak straight” should be the general writing characteristics of “Wild Grass”. “Snow” is a scene that is a scene, a work that borrows scenery, expresses suspicion, and serves as an aspiration. It should be a symbol or sustenance.