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一、成中英的“本体美学”及其存在界域1.成中英“本体美学”的形成与此前的相关研究王国维、宗白华在民国初年盛阐中国美学之中的境界说、意境说~①,这是中国传统之固有美学传统就具有本体诠释角度的丰富积淀。虽然不一定自觉地运用“本体诠释”的种种术语,但是台湾与海外的华人美学与诗学学者徐复观、叶维廉、杜国清、刘若愚等人都从这个本体诠释角度来展开中国美学研究,而且参照了西方当代哲学中的现象学(胡塞尔,E.Husserl;杜弗纳,M.Dufrene等)
First, the Chinese and British “Ontology Aesthetics ” and its existence domain 1. Cheng Zhongying “Ontology Aesthetics ” formation and previous related research Wang Guowei, Zong Baihua in the early Republican Sheng Sheng Chinese aesthetics In the realm of the state, the artistic conception says that this is a rich accumulation of the inherent aesthetic interpretation of the Chinese traditional tradition. Although not necessarily conscientiously applying various terms such as “ontology interpretation,” Xu Fuguan, Ye Weilian, Du Guoqing, and Liu Ruoyu, scholars of Chinese aesthetics and poetics in Taiwan and overseas, have started to carry out Chinese aesthetic studies from the perspective of ontology, and Reference to the phenomenology of Western contemporary philosophy (Husserl, E. Husserl; Dufner, M.Dufrene, etc.)