谷川俊太郎的诗歌是为人生的,不是诗歌沙龙里只适合诗人小圈子互相切磋的晦涩玩艺。他的诗是为家族、母亲、孩子、情人、朋友和一朵六月阳光下盛开的百合花写下的。二十世纪日本文化给我印象最深的是小说、电影和照片,川端康成、黑泽明、荒木经惟等等。至于诗歌,年轻时也看过石川啄木的作品,但印象深刻的作品,还是古代的俳句。前年,由田原君翻译的谷川俊太郎先生的诗歌在《世界文学》发表;现在,田原君翻译 Shuntaro Taniguchi’s poetry is for life, not poetry salon is only suitable for the poet’s circle to learn from each other’s obscene stuff. His poems were written for families, mothers, children, lovers, friends, and a lily in full bloom in the sunshine of June. Twentieth-century Japanese culture impressed me the most is a novel, film and photos, Kawabata Yasunari, Kurosawa, Araki and so on. As for poetry, I saw Ishikawa woodpecker works in her youth, but the impressive work is still an ancient haiku sentence. Two years ago, the poetry of Mr. Tetsuya Tanigawa translated by Tian Yuanjun was published in “World Literature.” Now, Tian Yuanjun translates