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对几篇鲁迅作品的探讨关于《一件小事》中的“风”四川宣汉县南坝中学陈仁发《<一件小事>的“风”》中说:鲁迅的小说很少景物描写,《一件小事》写景极为精炼,只对“风”着力点染,全文八九百字就五次写到“风”,描写了“大北风刮得正猛”,——“北风小了”——“微风吹着”——“大风之后”——“风全住了”的全过程,这对联缀故事,展开情节,揭示人物的思想意义都有重要的作用。湖北孝感高中胡国华、叶渠梁《谈<一件小事>中的“风”》进一步写道:《一件小事》对“风”的描写,与《林教头风雪山神庙》对“雪”的描写,在技法与功用上,都是白描绘景的范例,确有异曲同工之妙。鲁迅继承并发扬了我国古典文学写景的优良传统。
The discussion of several pieces of Lu Xun’s works on “wind” in “a trivial matter” Chen Renfa of Nanba Middle School in Xuanhan County, Sichuan Province, said: “The Wind” of “a trivial matter” says: Lu Xun’s novels rarely depict scenes. The “small things” scene is extremely refined. It only focuses on the “wind”. The full text of 190 words is written five times on the “wind”, describing the “great north wind blows hard”, and “the north wind is small”— - “Breeze blowing” - “after the wind” - “The whole wind lived” the whole process, which is a chain of stories, plots, revealing the ideological significance of the characters have an important role. The “Wind” in Xiaogan’s Xiaogan High School Hu Guohua and Ye Quliang’s “Talk about a trivial matter” further wrote: “A Littlething” describes the “wind” and describes the “Snow” in the “Ling Shi Feng Xue Snow Temple”. In terms of technique and function, they are all examples of depicting scenes. Lu Xun inherited and carried forward the fine traditions of classical Chinese literature.