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2015年8月,第九届茅盾文学奖揭晓,王蒙以其描写边疆生活的《这边风景》获奖,于是,王蒙的新疆生活与创作实践再次进入人们的视野。新疆,之于王蒙究竟意味着什么?它提供了怎样的文学视野,又是如何潜移默化地塑造了作为小说家的王蒙?要回答这些问题,不妨将目光回溯到上个世纪80年代,重新审视王蒙创作于此时的《在伊犁》系列小说。1983年,王蒙在第6期的《人民文学》上发表了短篇
In August 2015, the 9th Mao Dun Literary Prize was unveiled. Wang Meng won the award for “the scenery on the other side” with his description of frontier life. As a result, Wang Meng’s life and practice in Xinjiang re-entered the field of vision. What does Xinjiang mean to Wang Meng? What kind of literary vision does it provide, and how can it subtly shape Wang Meng as a novelist? To answer these questions, we may look back to the 1980s and reexamine Wang Meng Created at this time in the “Ili” series of novels. In 1983, Wang Meng published a short article in the sixth issue of People’s Literature