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一九五三年,沿袭自己一贯的电影风格,小津安二郎拍摄了内敛克制的《东京物语》。电影中,当平山周吉老夫妇立于桥上凝望远方时,我们从御用演员笠智众和东山千荣子的神色中读到了一种平和悠远的淡然。时隔半个多世纪,观影的视角切换到了平凡的中年的你,与当初不同的是,现在的你到底看出了些年轻时没能深味的情感,那以前自以为是寂寞的背后所蕴藏着的,是被你称作“喟叹”的心绪。至于他们到底在喟叹些什么,
In 1953, following his usual film style, Ozu Yasujiro photographed restraint and restrained “Tokyo Story.” In the movie, when the old couple of Pingshan Zhouji stands on the bridge and gazes into the distance, we have read a calm and indifferent expression from the look of the Queen’s actress Kasamatsu and Higashiyama Chiaki. After a lapse of more than half a century, the perspective of watching movies switched to you ordinary middle age, and the original is different, now you see in the end some of the emotions of the young did not deep taste, before that is considered lonely behind With, is what you call “sigh sighs.” As for what they sigh in the end,