:本文在论证了文化消费存在和发展的合理性、必然性之后 ,主要从三个方面对世界之交八九十年代大众文学中的畸形消费现象进行清理和批判。论者认为 :首先 ,是社会生活中的商业趋利主义导致了文化消费中的“伪大众”现象 ,并由此及彼辐射到了整个文坛而使精英文学出现了不应有的“偏至”;其次 ,是西方后现代的享乐主义原则与中国本土俗化思潮的一拍即合 ,不断地催生了大众文学中的“玩”与“性”的畸性文本 ;再次 ,是大众传媒的感性介入方式加速了文学的精神消解 ,致使大众文学中的形象蜕变成为纯粹的直观和非体验的反美学表演 This paper, after demonstrating the rationality and necessity of the existence and development of cultural consumption, mainly clears up and criticizes the abnormal consumption phenomena in popular literature in the 1980s and 1990s in three aspects. On the one hand, the author thinks: Firstly, commercial tendencies in social life lead to the phenomenon of “pseudo-mass” in cultural consumption, and thus radiate the whole literary world, leaving the elite literature an unnecessary “bias” Secondly, it is the hedonism principle of western postmodernism that coincides with the trend of local Chinese popularization. It constantly gives birth to the distorted texts of “play” and “sex” in popular literature. Thirdly, it accelerates the way of perceptual intervention of mass media The resolution of the spirit of literature has led to the transformation of the image of popular literature into a purely intuitive and non-experiential anti-aesthetics performance