一、写意性灵:意象美学新境界元代百年书法史可以分为前、后两个阶段。在元代前期,以赵孟頫为代表的一批书法家倡导师法晋唐,注重功力法度,力挽南宋以来的书法颓势,雅正书风成为书坛主流。到元代后期,赵氏书风笼罩天下,书坛再度陷入单一僵化的格局。同时,社会贫富分化和局势动荡使得人们的思想和审美趋于复杂和多元,一些书 First, the idealistic spirit: a new era of imagery aesthetics A century of calligraphy history can be divided into before and after the two stages. In the early Yuan Dynasty, a group of calligraphers, represented by Zhao Meng-t’ou, advocated teachers’ method and the Jin and Tang Dynasties. They paid attention to the skill and tried their best to reduce the calligraphy since the Southern Song Dynasty. To the late Yuan Dynasty, Zhao style of writing enveloped the world, the book once again into a single rigid framework. At the same time, the polarization and division of society between rich and poor make people’s thinking and aesthetic tended to be complicated and diverse. Some books