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五四现代作家对个体的审美观和主体意识的重视,凸显了现代风景叙事的主要特征。与传统小说中的由说话人所描述的风景叙事,平面式的故事情节所不同的是,个人的经验和实地的观察使得现代作家在小说创作中开创了一个具有深层结构的风景叙事模式。鲁迅和张恨水以对生活中的具体场景的描写来表现这个时代的人生和社会的全貌,从而弥补中国古典白话小说的不足。二人的小说将景物叙写成功地纳入中国现代小说创作的“版图”,为后来的风景、风俗叙写提供了良好的借鉴。鲁迅和张恨水分别作为新文学和通俗文学的两位大家,其作品中对风景和民俗等的描写体现了严肃文学和俗文学在小说创作中的雅俗取向。雅俗的真正界限到底是什么?这个问题值得思考。“,”The May 4 th novelists have paid peculiar attention to the individual aesthetics in relation to scenic and dimensional narration which is in contrast with the traditional description of the plots.Their own experience and observations enable the modern novelists to create a deep-structured narrative model of scenery.Lu Xun and Zhang Henshui give a panoramic account of the contemporary society,making up for the loss of the classic Chinese novels.Both novelists highlight the popular and serious orientations,the line between which is to expected to draw.