《赋谱》是一部失传已久的唐代赋格,20世纪80年代由日本回传至中国,主要内容包括律赋赋句论、律赋结构论、赋题论三方面。其总体思路与后世的赋格颇为相似,与赋话则差别很大。《赋谱》中最有特色的内容是对律赋赋句种类的划分和分析,对赋句组合规则的探讨说明,它在这方面的成就远远超过了后世的同类著作。《赋谱》划分律赋结构时所用到的头、项、腹、尾等术语,在唐宋两朝曾广泛地运用于中日各种文体当中。《赋谱》所论带有人为规定的性质,其根本是出于科举考试的要求;也具有鲜明的时代特征,与中晚唐律赋的创作风习密切相关。 “Spectrum” is a long lost prequel to the Tang Dynasty, returned to China from Japan in the 1980s, the main contents include the Fu Fu Fu sentence theory, law structure theory, the problem of three aspects. The general idea is quite similar to the later fugitives, and the fuss is very different. The most distinctive content in the book is the classification and analysis of the types of Fu Fu sentences. The discussion on the rules of the Fu sentences shows that its achievements in this respect far surpass those of the later books. The terms “head, neck, abdomen, tail” used in the definition of “Fu spectrum” in the law structure were widely used in various genres of China and Japan during the Tang and Song dynasties. The nature of the presumed man-made nature of the word “spectrum” is essentially based on the requirements of the imperial examinations. It also has distinctive characteristics of the times and is closely related to the writing style of the law of the late Tang Dynasty.