“不同文化系统的文学艺术有不同特色,不同国家、民族的理论思维方式也各不相同,这就形成了不同文化系统的诗学、美学各有自己的民族特色。”戴望舒与波德莱尔,同为象征派的代表,但却在各自民族的特定时期,用各自的诗歌实践了自己美学追求。戴望舒的出名之作《雨巷》曾受马拉美音乐美诗学主张的影响。《雨巷》的风神在于烟雨迷离的巷陌、悲凉似梦般的丁香姑娘、低徊往复的音韵和清愁。丁香的凄美含情恰如美人憔悴的红颜、寂寞的幽馨,是形神合一的喻设,这一意象在诗中构成了理想之爱的氛围,更传达出一种浮动着的意绪,一种迷离恍惚的感觉,极富 “Literature and art in different cultural systems have different characteristics, and different countries and nations have different theoretical ways of thinking. This forms a poetic and aesthetical system of different cultural systems with their own national characteristics.” Dai Wangshu and Pod Lyle, the same representative of the symbolism, practiced his own pursuit of aesthetics in their own poems during a specific period of their own nation. Dai Wangshu’s famous “Rain Lane” was influenced by the advocacy of music in the United States. “Rain Lane” Fengshen lies in the misty fog of the street, sad and dreamlike clove girl, whispered reciprocating rhyme and Qing Qing. The poignant beauty of lilac Just like the haggard beauty of the beauty of the United States, lonely Serenity, is the metaphor of the unity of form and spirit, the image of the poem constitutes the ideal atmosphere of love, but also convey a floating mood, a Feel blurred feeling, very rich